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<title>Gotham Chamber Opera</title>

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<div id="mw-content-text" class="mw-body-content mw-content-ltr" lang="en" dir="ltr"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><p><b>Gotham Chamber Opera</b> was a professional opera company located in New York City. The company was founded in 2000 under the name of the <b><a href="Henry_Street_(Manhattan)" title="Henry Street (Manhattan)">Henry Street</a> Chamber Opera</b> by Artistic Director Neal Goren and specialized in producing rarely performed <a href="Chamber_opera" title="Chamber opera">chamber operas</a> from the <a href="Baroque_music" title="Baroque music">Baroque era</a> to the present. In 2003, it changed its name to the Gotham Chamber Opera (GCO) after incorporating as an independent <a href="501(c)(3)_organization" title="501(c)(3) organization">501(c)(3) organization</a>. Its Executive Director was <a href="Edward_Barnes_(composer)" title="Edward Barnes (composer)">Edward Barnes</a>, who took over from David Bennett.<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-close_2-0" class="reference"><a href="#cite_note-close-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> It closed in 2015.<sup id="cite_ref-close_2-1" class="reference"><a href="#cite_note-close-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-fold_3-0" class="reference"><a href="#cite_note-fold-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup>

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<div class="mw-heading mw-heading2"><h2 id="History">History</h2></div>

<div class="mw-heading mw-heading3"><h3 id="Henry_Street_Chamber_Opera">Henry Street Chamber Opera</h3></div>

<p>The company first presented the American premiere of Mozart's <i><a href="Il_sogno_di_Scipione" title="Il sogno di Scipione">Il sogno di Scipione</a></i> (1771), staged by <a href="Christopher_Alden_(director)" title="Christopher Alden (director)">Christopher Alden</a> in 2001 at the Playhouse at the <a href="Abrons_Arts_Center" class="mw-redirect" title="Abrons Arts Center">Abrons Arts Center</a>, a 350-seat theater on the New Yorks's <a href="Lower_East_Side" title="Lower East Side">Lower East Side</a>.

</p><p>Soon after, the company produced a double bill of <a href="Henry_Purcell" title="Henry Purcell">Henry Purcell</a>'s <i><a href="Dido_and_Aeneas" title="Dido and Aeneas">Dido and Aeneas</a></i> (1689) and <a href="Darius_Milhaud" title="Darius Milhaud">Darius Milhaud</a>'s <i>Les malheurs d'Orphée</i> (1924). Two more American premieres followed in November 2002 with Czech composer <a href="Bohuslav_Martin%C5%AF" title="Bohuslav Martinů">Bohuslav Martinů</a>'s 1928 <a href="Dada" title="Dada">Dada</a> opera, <i><a href="Les_larmes_du_couteau" class="mw-redirect" title="Les larmes du couteau">Les larmes du couteau</a></i> (<i>Tears of the Knife</i>),<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> and his 1935 <i><a href="Hlas_lesa" title="Hlas lesa">Hlas lesa</a></i> (<i>The Voice of the Forest</i>).<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup>

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<div class="mw-heading mw-heading3"><h3 id="Gotham_Chamber_Opera">Gotham Chamber Opera</h3></div>

<p>After incorporating as a non-profit organization in 2003, the newly renamed Gotham Chamber Opera (GCO) presented the American premiere of Swiss composer <a href="Heinrich_Sutermeister" title="Heinrich Sutermeister">Heinrich Sutermeister</a>'s 1935 <i>Die schwarze Spinne</i> (<i>The Black Spider</i>).

</p><p>Gotham's February 2005 production of <a href="George_Frideric_Handel" title="George Frideric Handel">Handel</a>'s <i><a href="Arianna_in_Creta" title="Arianna in Creta">Arianna in Creta</a></i> played to full houses and drew favorable reviews. That summer, in a co-production with the Lincoln Center Festival and <a href="Spoleto_Festival_USA" title="Spoleto Festival USA">Spoleto Festival USA</a>, the company performed <a href="Ottorino_Respighi" title="Ottorino Respighi">Ottorino Respighi</a>'s fantastical <i><a href="La_bella_dormente_nel_bosco" title="La bella dormente nel bosco">La bella dormente nel bosco</a></i> (<i>Sleeping Beauty in the Woods</i>), featuring the puppetry of <a href="Basil_Twist" title="Basil Twist">Basil Twist</a>. In the spring of 2006, <a href="Benjamin_Britten" title="Benjamin Britten">Benjamin Britten</a>'s only comedy, <i><a href="Albert_Herring" title="Albert Herring">Albert Herring</a></i>, received its first professional staging in New York in more than 30 years, and in the winter of 2007, <a href="Gioachino_Rossini" title="Gioachino Rossini">Rossini</a>'s <i><a href="Il_signor_Bruschino" title="Il signor Bruschino">Il signor Bruschino</a></i> received its first major professional New York staging in more than half a century.

</p><p>In the 2007/08 season, the company presented New York City's first staged production of <a href="Astor_Piazzolla" title="Astor Piazzolla">Astor Piazzolla</a>'s 1968 <a href="Tango" title="Tango">tango</a> opera <i><a href="Mar%C3%ADa_de_Buenos_Aires" title="María de Buenos Aires">María de Buenos Aires</a></i>, as well as <i>Scenes of Gypsy Life</i>, a fully staged evening of <a href="Song_cycle" title="Song cycle">song cycles</a> by <a href="Leo%C5%A1_Jan%C3%A1%C4%8Dek" title="Leoš Janáček">Janáček</a> and <a href="Anton%C3%ADn_Dvo%C5%99%C3%A1k" title="Antonín Dvořák">Dvořák</a>, and <i>Ariadne Unhinged</i>, a retelling of the <a href="Ariadne" title="Ariadne">Ariadne myth</a> through the music of <a href="Claudio_Monteverdi" title="Claudio Monteverdi">Monteverdi</a>, <a href="Joseph_Haydn" title="Joseph Haydn">Haydn</a>, and <a href="Arnold_Schoenberg" title="Arnold Schoenberg">Schoenberg</a>. And in 2009, <a href="Mark_Morris_(choreographer)" title="Mark Morris (choreographer)">Mark Morris</a> directed the U.S. stage premiere of Haydn's <i><a href="L'isola_disabitata" title="L'isola disabitata">L'isola disabitata</a></i>.

</p><p>Gotham presented Haydn's <i><a href="Il_mondo_della_luna" title="Il mondo della luna">Il mondo della luna</a></i> at the <a href="Hayden_Planetarium" class="mw-redirect" title="Hayden Planetarium">Hayden Planetarium</a> of the <a href="American_Museum_of_Natural_History" title="American Museum of Natural History">American Museum of Natural History</a> in January 2010. The production, staged by <a href="Diane_Paulus" title="Diane Paulus">Diane Paulus</a>, featured <a href="NASA" title="NASA">NASA</a>-generated moon travel projections on the planetarium's 360-degree dome.

</p><p>In October 2010, GCO with <a href="Tectonic_Theater_Project" title="Tectonic Theater Project">Tectonic Theater Project</a> presented the U.S. premiere of <a href="Xavier_Montsalvatge" title="Xavier Montsalvatge">Xavier Montsalvatge</a>'s <i>El gato con botas</i><sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> (<i>Puss in Boots</i>). The production was directed by <a href="Mois%C3%A9s_Kaufman" title="Moisés Kaufman">Moisés Kaufman</a>, with <a href="Bunraku" title="Bunraku">bunraku</a> puppetry by the Blind Summit Theatre of London. The opera premiered at the <a href="New_Victory_Theater" title="New Victory Theater">New Victory Theater</a> in New York City.

</p><p>In November 2010, Gotham Chamber Opera, Music-Theatre Group and <a href="Opera_Philadelphia" title="Opera Philadelphia">Opera Philadelphia</a> announced the commission of a new American opera, <i>Dark Sisters</i>, composed by <a href="Nico_Muhly" title="Nico Muhly">Nico Muhly</a> with a <a href="Libretto" title="Libretto">libretto</a> by <a href="Stephen_Karam" title="Stephen Karam">Stephen Karam</a>, to be conducted by Neal Goren, and directed by <a href="Rebecca_Taichman" title="Rebecca Taichman">Rebecca Taichman</a>. The world premiere took place in November 2011 at the <a href="Gerald_W._Lynch" title="Gerald W. Lynch">Gerald W. Lynch</a> Theater at <a href="John_Jay_College" class="mw-redirect" title="John Jay College">John Jay College</a> in New York, one of the first works to be presented at the theater following the creation of a new lobby at the space. <i>Dark Sisters</i> was also presented in June 2012 as part of Opera Philadelphia's chamber opera series at the Perelman Theater in the <a href="Kimmel_Center_for_the_Performing_Arts" title="Kimmel Center for the Performing Arts">Kimmel Center for the Performing Arts</a>. Gotham scheduled two workshops and orchestra readings, in November 2010 and March 2011, for the new work.

</p><p>Gotham Chamber Opera included appearances on <a href="WNYC" title="WNYC">WNYC</a>, displays at <a href="Bergdorf_Goodman" title="Bergdorf Goodman">Bergdorf Goodman</a> and <a href="Prada" title="Prada">Prada</a> <a href="SoHo%2C_Manhattan" title="SoHo, Manhattan">SoHo</a>, annual collaborations with the <a href="Gagosian_Gallery" title="Gagosian Gallery">Gagosian Gallery</a>, and performances in various Manhattan venues. The company's activities also included school residencies, workshops, and free rehearsals.<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup>

</p><p>GCO was a member of the professional organization <a href="OPERA_America" class="mw-redirect" title="OPERA America">OPERA America</a>.

</p><p>On October 1, 2015, Gotham Chamber Opera announced it would close due to previously undiscovered debts.<sup id="cite_ref-close_2-2" class="reference"><a href="#cite_note-close-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-fold_3-1" class="reference"><a href="#cite_note-fold-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup>

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<div class="mw-heading mw-heading2"><h2 id="Productions">Productions</h2></div>

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<ul><li>2001: <i>Il sogno di Scipione</i> (1771) by Wolfgang Amadeus Mozart, directed by <a href="Christopher_Alden_(director)" title="Christopher Alden (director)">Christopher Alden</a> at The Abrons Art Center (U.S. stage premiere)</li>

<li>2002: <i>Dido and Aeneas</i> (1689) by Henry Purcell, directed by <a href="Laurence_Dale" title="Laurence Dale">Laurence Dale</a> at The Abrons Arts Center</li>

<li>2002: <i>Les malheurs d'Orphée</i> (1924) by Darius Milhaud, directed by Laurence Dale at The Abrons Arts Center</li>

<li>2002: <i><a href="Les_larmes_du_couteau" class="mw-redirect" title="Les larmes du couteau">Les larmes du couteau</a></i> (1928) by Bohuslav Martinů, directed by Ned Canty at The Abrons Arts Center (U.S. premiere)</li>

<li>2002: <i><a href="Hlas_lesa" title="Hlas lesa">Hlas lesa</a></i> (1935) by Bohuslav Martinů, directed by Ned Canty at The Abrons Arts Center (U.S. premiere)</li>

<li>2004: <i>Die schwarze Spinne</i> (1935) by Heinrich Sutermeister, directed by <a href="Robin_Guarino" title="Robin Guarino">Robin Guarino</a> at The Abrons Arts Center (U.S. premiere)</li>

<li>2005: <i>Arianna in Creta</i> (1733) by George Frideric Handel, directed by Christopher Alden at The Abrons Arts Center (U.S. stage premiere)</li>

<li>2005: <i>La bella dormente nel bosco</i> (1922) by Ottorino Respighi, directed by Basil Twist at Lincoln Center (U.S. stage premiere)</li>

<li>2006: <i>Albert Herring</i> (1947) by Benjamin Britten, directed by David Schweizer at The Abrons Arts Center</li>

<li>2007: <i>Il signor Bruschino</i> (1813) by Gioachino Rossini, directed by Robin Guarino at The Abrons Arts Center</li>

<li>2007: <i>María de Buenos Aires</i> (1968) by Astor Piazzolla directed by <a href="David_Parsons_(dancer)" class="mw-redirect" title="David Parsons (dancer)">David Parsons</a> at <a href="Skirball_Center_for_the_Performing_Arts" title="Skirball Center for the Performing Arts">Jack H. Skirball Center for the Performing Arts</a>, New York University</li>

<li>2007: <i>Scenes of Gypsy Life</i> a cautionary tale featuring music of Antonín Dvořák (1880) and Leoš Janáček (1919), directed by Eric Einhorn at the <a href="Morgan_Library" class="mw-redirect" title="Morgan Library">Morgan Library</a></li>

<li>2008: <i>Ariadne Unhinged</i>, music by Claudio Monteverdi (1608), Joseph Haydn (1789) and Arnold Schoenberg (1912) directed by <a href="Karole_Armitage" title="Karole Armitage">Karole Armitage</a> at The Playhouse, Abrons Arts Center (World premiere)</li>

<li>2009: <i>L'isola disabitata</i> (1779) by <a href="Joseph_Haydn" title="Joseph Haydn">Joseph Haydn</a>, directed by Mark Morris at the Gerald W. Lynch Theater at John Jay College (New York stage premiere)</li>

<li>2010: <i>Il mondo della luna</i> (1777) by <a href="Joseph_Haydn" title="Joseph Haydn">Joseph Haydn</a>, directed by Diane Paulus at the <a href="Hayden_Planetarium" class="mw-redirect" title="Hayden Planetarium">Hayden Planetarium</a></li>

<li>2010: <i>El gato con botas</i> (1946) by <a href="Xavier_Montsalvatge" title="Xavier Montsalvatge">Xavier Montsalvatge</a>, directed by <a href="Mois%C3%A9s_Kaufman" title="Moisés Kaufman">Moisés Kaufman</a> at the New Victory Theater (U.S. stage premiere)<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup></li>

<li>2011: <i>Dark Sisters</i> (2013) by <a href="Nico_Muhly" title="Nico Muhly">Nico Muhly</a> (World premiere)</li>

<li>2012: <i>Il sogno di Scipione</i> by Wolfgang Amadeus Mozart, directed by Christopher Alden at the Gerald W. Lynch Theater at John Jay College (10th anniversary production)</li>

<li>2012: Gotham @ <a href="(Le)_Poisson_Rouge" title="(Le) Poisson Rouge">(Le) Poisson Rouge</a>: <i>Orientale</i> (Monteverdi, <a href="Jean-Philippe_Rameau" title="Jean-Philippe Rameau">Rameau</a>, <a href="L%C3%A9o_Delibes" title="Léo Delibes">Delibes</a> and others)</li>

<li>2012: <i><a href="Eliogabalo" title="Eliogabalo">Eliogabalo</a></i> (1668) by <a href="Francesco_Cavalli" title="Francesco Cavalli">Francesco Cavalli</a>, staged at <a href="The_Box_Soho" title="The Box Soho">The Box Soho</a></li>

<li>2012: <i><a href="Rappaccini's_Daughter_(opera)" class="mw-redirect" title="Rappaccini's Daughter (opera)">La hija de Rappaccini</a></i> (1991) by <a href="Daniel_Cat%C3%A1n" title="Daniel Catán">Daniel Catán</a></li>

<li>2013: <i><a href="La_descente_d'Orph%C3%A9e_aux_enfers" title="La descente d'Orphée aux enfers">La descente d'Orphée aux enfers</a></i> (1686) by <a href="Marc-Antoine_Charpentier" title="Marc-Antoine Charpentier">Marc-Antoine Charpentier</a></li>

<li>2013: <i><a href="Donaueschingen_Festival" title="Donaueschingen Festival">Baden-Baden</a> 1927</i>, music by <a href="Darius_Milhaud" title="Darius Milhaud">Milhaud</a>, <a href="Ernst_Toch" title="Ernst Toch">Toch</a>, <a href="Paul_Hindemith" title="Paul Hindemith">Hindemith</a> and <a href="Kurt_Weill" title="Kurt Weill">Weill</a></li>

<li>2013: <i><a href="Il_combattimento_di_Tancredi_e_Clorinda" title="Il combattimento di Tancredi e Clorinda">Il combattimento di Tancredi e Clorinda</a></i> (1624) by Monteverdi; <i>I Have No Stories to Tell You</i> by Lembit Beecher (World premiere)</li>

<li>2013: <i>The Raven</i> by <a href="Toshio_Hosokawa" title="Toshio Hosokawa">Toshio Hosokawa</a> (based on <a href="The_Raven" title="The Raven">the poem of that name</a> by Edgar Allan Poe) (U.S. premiere)</li></ul>

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<div class="mw-heading mw-heading2"><h2 id="References">References</h2></div>

<p><b>Notes</b>

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<li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.gothamchamberopera.org/about_us/">About Us on the company's website</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131230234434/http://www.gothamchamberopera.org/about_us/">Archived</a> 2013-12-30 at the <a href="Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span>

</li>

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</style><cite id="CITEREFShaun_Walker2015" class="citation web cs1">Shaun Walker (1 October 2015). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2015/10/02/arts/music/gotham-chamber-opera-announces-that-it-will-close.html">"Gotham Chamber Opera Announces That It Will Close"</a>. <i><a href="The_New_York_Times" title="The New York Times">The New York Times</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">1 October</span> 2015</span>.</cite></span>

</li>

<li id="cite_note-fold-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-fold_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-fold_3-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><cite id="CITEREFCooper2016" class="citation news cs1">Cooper, Michael (March 10, 2016). "Beer Bottles, Not Opera Glasses". <i><a href="The_New_York_Times" title="The New York Times">The New York Times</a></i>. p. C6.</cite></span>

</li>

<li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.gothamchamberopera.org/production/detail/les_larmes_du_couteau"><i>Les larmes du couteau</i> on the company's website</a></span>

</li>

<li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.gothamchamberopera.org/production/detail/hlas_lesa">Production details and photographs for <i>Hlas lesa</i> on the company's website</a></span>

</li>

<li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text">Vivian Schweitzer, <a rel="nofollow" class="external text" href="https://www.nytimes.com/2010/10/04/arts/music/04gato.html?_r=1&adxnnl=1&ref=music&adxnnlx=1388249774-y3MOGzLrfjielNETnuiEwQ">"From Wily House Cat to Lord of the Manor"</a>, <i><a href="The_New_York_Times" title="The New York Times">The New York Times</a></i>, October 3, 2010</span>

</li>

<li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.gothamchamberopera.org/index.php?page=about">More information from the company's website</a></span>

</li>

<li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.gothamchamberopera.org/production/detail/el_gato_con_botas">Production details and photos from <i>El gato con botas</i> on the company's website</a></span>

</li>

</ol></div></div>

<p><b>Sources</b>

</p>

<ul><li>Michael Cooper, <a rel="nofollow" class="external text" href="https://www.nytimes.com/2013/12/25/arts/music/gotham-chamber-opera-has-unusual-works-and-many-venues.html?_r=1&">"Rare Arias on a Lean Budget: Gotham Chamber Opera Has Rare Works and Many Venues"</a>, <i>The New York Times</i>, 24 December 2013</li>

<li><a href="Anthony_Tommasini" title="Anthony Tommasini">Anthony Tommasini</a>, <a rel="nofollow" class="external text" href="https://www.nytimes.com/2013/03/19/arts/music/cavallis-eliogabalo-by-gotham-chamber-opera-at-the-box.html?smid=fb-share&_r=1&">"An Emperor in Drag and Other Decadencies: Cavalli's <i>Eliogabalo</i>, by Gotham Chamber Opera, at the Box"</a>, <i>The New York Times</i>, 18 March 2013.</li></ul>

<div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2></div>

<ul><li><span class="official-website"><span class="url"><a rel="nofollow" class="external text" href="http://www.gothamchamberopera.org/">Official website</a></span></span></li>

<li>George Grella, <a rel="nofollow" class="external text" href="http://newyorkclassicalreview.com/2014/02/for-now-gotham-chamber-opera-is-happy-to-remain-small-yet-significant/">"For now, Gotham Chamber Opera is happy to remain small yet significant"</a>, interview with Director David Bennett on newyorkclassicalreview.com. February 24, 2014</li></ul>

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